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The London Train (P.S.), by Tessa Hadley
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From Publishers Weekly
Hadley's fourth novel (after The Master Bedroom) is at once a melancholy and delightful story about Paul, a poet and father of three going through a midlife crisis in a small town outside of Cardiff, Wales, and Cora, a woman from his past whose impact on his life is minimal, and yet, for the reader, pivotal. What begins as an argument with a neighbor spirals into a domestic meltdown that sends Paul storming out and traveling to London to find Pia, his daughter from a former marriage, who, as it turns out, is pregnant, has dropped out of school, and is living in an illegal flat with her boyfriend. Paul, unsure how he should act, teeters back and forth from father figure to thrilled participant in her chaotic existence. Cora, on the other hand, has taken refuge from London in her recently deceased parents' house in Cardiff after separating from her husband and now enjoys the simplicity and the quiet of the country. Her narrative fleshes out the connection she has to Paul and reveals him to be a much weaker man than he'd like to acknowledge while simultaneously offering a smart take on starting over. Hadley's twin narratives are perfectly tuned and heavy with lacerating observations about the way fate works. (June) (c) Copyright PWxyz, LLC. All rights reserved.
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“Powerful…. Ms. Hadley has a talent for the canny detail…. There are platoons of novelists producing work about middle-class marriages in disarray, most of it very dull. Ms. Hadley is one of the gifted exceptions, and the calm acuity with which she depicts these fractured relationships is haunting.” (Sam Sacks, Wall Street Journal)“[Hadley] is a writer who has always allowed her fiction space to breathe beyond its narrative borders. . . . Shows how language, deployed with precision or daring, can make thrillingly new the textures and undercurrents of everyday life.” (Peter Parker, Sunday Times (London))“Hadley is a close observer of her characters’ inner worlds. Her language can be fine-grained, subtle, eloquent…. Hadley is a supremely perceptive writer of formidable skill and intelligence, someone who goes well beyond surfaces.” (Jean Thompson, New York Times Book Review)“The London Train brings a quiet, nuanced intelligence to domestic fiction….The London Train is the sort of muted, thoughtful read that requires switching from the clattering express onto life’s slow local tracks. Hadley, a meticulous stylist, has woven into her narrative reflections on memory and time.” (Heller McAlpin, NPR)“Impressive. . . . a triumph of form.” (Ti Sperlinger, Independent on Sunday (London))“Hadley’s strength lies in her characterization. . . . . There’s something pleasingly human about them. With characters like these Hadley makes us wonder what forms our own darkness takes.” (Richard Platt, TimeOut (London))“Spectacular….A compelling and serious page-turner.” (Anna Shapiro, The Observer (London) on Accidents in the Home)“Tessa Hadley is a writer whose antennae are almost indecently attuned to the interior static of private lives....[M]asterly...” (Emma Hagestadt, The Independent)“Elizabeth Bowen-like in its attention to nuance in language and behaviour, this concise novel also offers a sharp portrait of modern Britain.” (Peter Parker, London Sunday Times)“The minds of Paul and Cora are so fully occupied by this most astute and sympathetic of writers....Hadley has crafted real excitement, so that each story ends in a flurry of curiosity and The London Train snaps shut with an effective twist.” (Susanna Rustin, The Guardian)
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Product details
Paperback: 352 pages
Publisher: Harper Perennial; Original edition (May 24, 2011)
Language: English
ISBN-10: 0062011839
ISBN-13: 978-0062011831
Product Dimensions:
5.3 x 0.9 x 8 inches
Shipping Weight: 10.4 ounces (View shipping rates and policies)
Average Customer Review:
3.8 out of 5 stars
45 customer reviews
Amazon Best Sellers Rank:
#570,275 in Books (See Top 100 in Books)
I ordered this book knowing nothing about it, simply that it was on the New York Times list of best fiction of 2011. I was encouraged by the interesting cover and distinguished typography. I read the first of the two novellas, "The London Train," with quiet satisfaction; it was a subtle story of a man's mid-life crisis, avoiding the obvious dramatic cliches, but full of sensitive observation and genuine feeling. The opening of the second novella, "Only Children" -- a young separated woman looking back at her wedding day -- gripped me emotionally in a way the first story never quite managed to do, and by the time I was a third of the way into it, I was reading with bated breath, unable to put the book down.The review I began in my mind soon after starting the second novella would have been entitled "Separation." Two locations in Great Britain, London and South Wales, connected by the train that forms an important but not overworked link in both stories. Two people at least temporarily separated from their spouses. Paul, living with his wife and young daughters on a farm in the Monnow Valley, already coping with the death of his mother, goes to London to look into the apparent disappearance of his daughter by his first marriage, and finds himself spending more and more time there. I was struck by Hadley's ability to write about mid-life crisis while focusing on interior lives only, essentially omitting the mechanics of adultery as an articulating device. I was even more struck by the beginning of the second novella. Cora, a woman of thirty-five when the story opens, has traveled in the opposite direction, leaving her rather older husband in London to move into her parents' former house in Cardiff. The major characters in both halves, not just the protagonists but also their spouses and friends, are all reasonable people, respectful of each other, competently leading their lives despite nurturing an inner emptiness. I know these people. I like them, trust them. I have been there.Already in "Only Children," though, I noticed another theme: self-knowledge, self-possession. Cora's opening reverie contains a striking sentence: "She had a vision of herself as a figure outside her own self-knowledge, emblematic, almost sacrificial." Writing of how Cora has changed since the separation, Hadley says: "But in the past she had been passionately available to her friends, beyond the act of herself." Then, at the climax of the book's one passionate love scene: "She succumbed, experiencing herself opened out and pressed flat, against the white background, liberated from possession of herself." I may have been wrong about the absence of sex, but I was right in seeing Hadley's focus as primarily internal. The events of the latter part of the book, and the narrative twist that connects these two stories after all, are merely the plot devices that keep one reading eagerly. They turn out almost peripheral to the main point, which is the selfhood of these separate individuals, the balance between what they must find inside themselves and what they must give to or take from others, and the human miracle that can turn separation into understanding.There were times when Tessa Hadley reminded me of the more domestic side of Ian McEwan, as in SATURDAY or THE CHILD IN TIME. The emotional realism of her characters and their unexpected connections put me in mind of the Penelope Lively of THE PHOTOGRAPH. And though Hadley is strictly contemporary, she shares a sense of quiet emotional rightness with Penelope Fitzgerald, an author whom I greatly admire. She deserves her place on the NYT list, and I look forward to reading more by her.
The London Train is really two stories in one that merge as the book enters its second half. We are first introduced to Paul who is on his second marriage but most definitely feeling an itch to do something different. He goes out in search of his daughter Pia who became pregnant by an unlikely but sort of obvious person. The second part of the story is about Cora--also running away from her marriage to what seems to be a reasonably nice but unremarkable man. The two meet on a train from Paddington and end up putting what you may call many embers into the fire. In many ways a traditional love story about two individuals who happen upon each other by chance. Look out for what in my opinion was a surprise ending in the final pages.
This book is really 2 interlocked stories about a man who is trying to reestablish a relationship with his daughter and a woman who is sorting out her life in the midst of her own struggles. Without revealing too much, they are both hurting the ones they love while trying to find their way to happiness for themselves. When the story shifts it takes a bit to get into the rhythm and I did like the fact that the author worked at writing in a different voice with a different view of the world.
Hadley has explored relationships carefully and slowly, letting small details reveal large issues and truths. The exploration is almost surgical. The characters need to make new decisions as each layer of a situation is revealed. Two couples whose lives turn out to be intertwined have their stories told: the fog of middle age yearnings with its ability to obscure what life has really brought will strike readers of a certain age as revelatory. The author's style is engaging and Anglophiles (even though the book also takes place in Wales) will enjoy it.
Very disappointed unfortunately ... loads of points that go nowhere ... what should have been a really neat device ... London train stories ... just didn't follow through ... hate to say it but I really don't know why this was such a hit ... even the characters are horrible
Thank you, Tessa Hadley, for illuminating the unknowable reaches of lovers' relationships. I love your wonderful stories. Great ending for The London Train! Perfect!
How does Tessa Hadley know these things? This is a lovely book, so many passages are so full of adult feelings perfectly described. Precise and intense but languorously-plotted, these people pursue their normal lives like the rest of us with much greater insight.
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